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Today I'm presenting about the best novel of Virginia Woolf is To the light house. In this novel Virginia Woolf is many frames many symbols and themes. In this novel Virginia try to use many other points. Which we shows in this Novel.
Virginia Woolf was born in 1882 in London. She was not given a formal education Virginia's mother died when she was thirteen. This caused the first of several mental breakdowns Virginia Woolf started to work as a tutor at Morley College in 1904 and wrote reviews for some books.
Her reviews were published in the "Times Literary Supplement". In 1905 she started meeting friends to discuss literary and artistic topics. Virginia Woolf also became a member of the People's Suffrage Federation and of the Women's Co-operative Guild.
In 1912, Virginia married Leonard Woolf who was a writer. One year later, Virginia suffered a deep mental break down. Her husband helped her to live through it.
To the Lighthouse is a 1927 novel by Virginia Woolf. She was an English writer, considered one of the most important modernist 20th century authors and also a pioneer in the use of stream of consciousness as a narrative device.
Filmmakers this season are playing with aspect ratios (the dimensions of the frame), sometimes from one scene to the next. You’ll see it in “The Laundromat,” “The Lighthouse” and others.
Watching “The Lighthouse,” a claustrophobic new film about a 19th-century lighthouse keeper (Willem Dafoe) and his protégé (Robert Pattinson), you might be forgiven for thinking that you’re peering through an old spyglass. The image is strangely narrow, a rectangle that looks almost taller than it is wide.
The director, Robert Eggers (“The Witch”), chose to shoot the movie in an archaic shape. The film’s aspect ratio — the ratio of the screen’s width to its height — is dimensions used at Fox in the early sound era, a period of cinema that “The Lighthouse” evokes.
Aspect ratios have fluctuated throughout film history. Silents were generally shown at . But the addition of a soundtrack on the film strip cut into the available image area. A standard ratio of dominated from the early 1930s until the 1950s, when movies went wide with CinemaScope, among other formats. From the 1970s onward, most new movies in the United States have been presented at Current flat-screen televisions use a ratio of which means that films shot in other frame sizes will have bars on the top and bottom or on the sides.)
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